Choosing Operas for Beginners

Accessible Operas and Composers for First Time Opera Goers

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Royal Opera House, Covent Garden - David Woo
Royal Opera House, Covent Garden - David Woo
Opera is frequently seen as elitist and inaccessible. However, there are many choices that will offer familiar tunes and story lines which a novice opera goer will enjoy.

Opera is the ultimate combination of music and theatre. The plots range from stories of ordinary people, to fantastical myth and legend-based sagas. The earliest recorded opera, Jacopo Peri’s Dafne (now lost) was produced in Florence in 1597. Opera continues to be written by contemporary composers, a recent work being Jake Hegge’s Dead Man Walking, from Sister Helen Prejeans’ book of the same name. There are centuries of works from which to choose, with a variety of styles. The following selection offers a range of excellent starting points for a first experience of live opera performance.

Rossini - The Barber of Seville

Elements of many operas have found their way into popular culture, and The Barber of Seville is one of them. Fans of Warner Brother’s Bugs Bunny will be familiar with the hilarious take off, The Rabbit of Seville. The opera itself, which premiered in 1816 and is sung in Italian, is an equally lighthearted romp of mischief and mayhem engineered and maintained by Figaro, the Barber of Seville.

Mozart – The Marriage of Figaro and Cosi Fan Tutte

The Marriage of Figaro is the second of three plays written by Pierre Beaumarchais – the first of these providing the libretto for The Barber of Seville. As with Barber, this piece is a tangle of confused identities, petty jealousies, ridiculous vengeances and ultimate harmony.

Cosi Fan Tutte plays with ideas of truthfulness and fidelity in relationships with two couples playing off each other to determine whether all the protagonists can remain faithful – with often hilarious results.

Both operas trip gaily through the ridiculous scenarios created by their characters on the tide of Mozart’s delightful and singable tunes.

Puccini – Madama Butterfly and La Boheme

For lovers of romantic tragedy, it is very hard to go past Puccini. Madama Butterfly tells the tale of a young Japanese girl seduced by an American officer and the inevitable cultural clash of misunderstandings that leads to her ruin. The story has been reinterpreted for music theatre in the form of the long running West End show Miss Saigon.

La Boheme is the archetypal story of young artists living in Parisian garrets eking out a bare living by their art, and spending their few pennies in the cafes of the district. Mimi is the stereotypical operatic heroine, in love and dying of TB, yet through the rich conversational musical score, the story becomes something magical. Tissues are an absolute must for the tragic end to this story.

Bizet – Carmen

There will be very few people who don’t know the tune of Bizet’s Toreador Song, or the Habanera sung by Carmen, in the opera of the same name. The opera premiered in 1875 but struggled to attract audiences. Bizet died, not knowing it would become one of the most popular of all operatic repertoire. The plot’s mix of romance, politics, corruption and traditional Spanish culture continues to be a hit with audiences.

This selection is just a beginning for what can be a rich journey into a complex art form. Contemporary settings of operas offer a fresh experience for many stories and new theatre technologies are bring spectacular effects into productions. Public performances in parks, such as Opera Australia's Opera in the Domain, offer a less formal environment to experience opera without having to pay for expensive tickets. Opera company websites will give details of their seasons, opera plots, ticketing and free opportunities.

Karen Finch, Tony Lewis, Tony Lewis Photography

Karen Finch - Karen is a Sydney based freelance writer, artist and musician. To learn more, click on her name to read her profile.

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Jan 27, 2010 9:02 AM
Guest :
Good article. I would agree with some of the selections, but I would put La Traviata and Rigoletto up there as well close to the top. I'd put Carmen at the top. I would choose Tosca over Madama Butterfly because of both a larger number of very famous often-played arias and the drama. Now, don't get me wrong - I love Madama Butterfly. I do however wonder in the ability of the beginner to appreciate the full Madama Butterfly as opposed to just "Un bel di". I personally took a beginner at a concert that included fragments from Rigoletto and Madama Butterfly. While this beginner enjoyed the concerts, he was not sure if he'd want to sit through whole of Madama Butterfly, but he was sure he'd like Rigoletto. I would probably choose Tosca over Madama Butterfly as one of Puccini choices. This is my personal opinion, and as our appreciation of music is so personal I'd suggest to any beginner to try some fragments on YouTube first to see if they like it.
One other thing - I am surprised that your website had no mention of the Met documentary "The Audition" that was broadcast on PBS on 1/20 and in some areas will be shown again at noon on 2/7 (on wnet/thirteen) - so there is still time. While not being a full opera, I think because of its format, the emotions and the tension, and the current preoccupation with talent reality shows, I think The Audition has a lot of power to introduce newbies to opera and illustrate the difference between winners or contestants or popular talent shows and amazing young opera singers, it'll let people who were blown away by considerably less talented "opera" contestants on popular talent show of how much more talent there is in opera, and not just among stars.
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